The Magic Machine--The Golden Dawn Vault in Colour by Nick Farrell

One of the things that amuses me is the occasional outpouring of "secrets must be kept" when someone dares to publish something that is already well past its "keep secret until" date. Today, the source of my amusement was the debate on whether or not, Nick Farrell should have published pictures of the walls of the Vault of the Adepts.

My own position...well let's see...

Venus Vault Wall Study.

...I first published a set of Vault wall studies on my occult blog starting in June 2009, shortly after the Book of the Tomb was open-sourced by Nick Farrell. And I have kicked around actually doing some Vault wall merchandise...something that I may still do. After all, a quick image search on Google will yield dozens of hits, and there are some crass people already doing Rose Cross lamen merchandise (all seem to be using the same picture to boot). So I really think that secrecy on this particular subject has flown the coop. It is now time to start making sure that people are getting it right. Now that my position on secrecy and much of it still apllies to the Vault walls is out of the way, let's move on to reviewing the book in question.

As I have already said, secrecy has flown the coop on this one--it is time to make sure that people are getting it right. And this is what The Magic Machine--The Golden Dawn Vault in Colour by Nick Farrell is about, helping people get the vault colors right.

The most valuable piece of this book is the eight colored plates showing the general key to the background color of the Vault walls, and the individual planetary Vault walls. And while I prefer mixed pigments over pixels, I wish I would had this book earlier in my occult career when I was preparing to build a Vault of the Adepts.

(Before you ask, the project never got past the study stage, due to the sudden vacating of anyone who might have needed to be vaulted by the current lodge that I belong to...it was a strange summer that year.)

Comparing my first study and later ones (I have done several over the years) to the plates in The Magic Machine, I am comforted to see that I am in the general ballpark, not exactly the same colors as Farrell is using, but close enough when one accounts for the difference in methods used. It was also comforting to read that someone else stumbled upon the problem with the Vault's ceiling--something that drives me a little batty.

Now I imagine that some people in the Golden Dawn tradition will claim that he is wrong about how the colors are created. Of course, if he is wrong, then so am I--and I was initially working from the texts published by Regardie and some misc. unpublished notes from a modern Order, and not directly from the Book of the Tomb. Then again, I just shake my head about how the critics have done their own Vaults--it is like they are working from a completely different set of instructions that have nothing to do with any actual Golden Dawn material.

Besides the meat of the book, Farrell does give hints on how to use the pictures, general information about the Vault of the Adepts, and a nice set of planetary deity calls to key your work with the Vault walls to.

I recommend getting this book if you ever think that you might need to build a Vault or work with one.

Five out of five stars.

The Magic Machine--The Golden Dawn Vault in Colour is a limited edition hard-cover book available from Lulu. 

[Required FTC disclosure: This review was based on a low res electronic copy of the book given to the reviewer to ensure a timely review of the book.]

The Shem Grimoire by Nick Farrell

Table of contents page from the Shem Grimoire.

The first thing that a reader needs to know about this book is that this book is not for beginners. This is not a history of the Shem ha-Mephorash and the evolution of its associated angels, nor is it heavy on theory and philosophy. No, this is a grimoire with just enough history and theory to orient a Zelator Adept Minor (Z.A.M.) before turning them loose on actual working with the Shem Angels.

The second thing that a reader needs to know about this book is that it is meant to be used. One of its center pieces is a ritual to actually get in contact with a Shem angel (one of the 72 angels created from the so-called 72 lettered name of God...which actually has 216 letters in it, but who is counting?). There is also an interesting Middle Pillar ritual, complete with head movements inspired by Abraham Abulafia (a mystic of the Kabbalah bent).

(I might write a blog entry about the rituals contained in this book after I work with them for awhile. Or maybe not...it is always hard to tell with me.)

Having worked with some of the Shem angels previously (using a combination of techniques grabbed from Golden Dawn, the Franz Bardon school, and ancient paganism), I mainly focused on the listings for the angels--the place I start with most books that list the uses and powers of spirits that I have previously worked with...because if they get that section wrong, then I have to wonder about the accurancy of the rest of the material.

Based on Nick Farrell's descriptions of the Shem angels, I am confident that he has actually worked with them. While there are minor differences in the functions of the angels as Farrell describes them compared to my own experiences, the differences are so insignificant that one can see that they are based on differences in perception of the operators involved, and not ignorance.

But one does not have to have extended working experience to double-check the general function of the angels. One of the things that I learned while working with the Bardon system was that the angels ruling the important positions of one's birth chart has a certain amount of influence over the individual. If one sits down with their birth chart and look at the position of their rising sign and their planets, one can often see how those planets and sensitive points of one's birth chart is colored by the influence of the angels that rule those astrological degrees. (This is a point that Farrell also mentions in his book--he suggests what order one might want to work with the angesl ruling one's birth chart.)

(Important note--remember to round up when doing this. For instance, Leo 20 degrees, 33 minutes is actually the 21st degree of Leo, not the 20th.)

Take for instance, the position of Mercury in my own birth chart, Leo 20 degrees, 33 minutes. This places my Mercury, the planet of communication and writing, in the section of the zodiac ruled by the Shem angel Meheshiiah (Mem-Heh-Shin-Yod-Heh). Given that I am one of the less evolved types, the influence of this angel tends to be more dubious and negative than positive. One of the things that Farrell says about Meheshiiah is, "There is little in the way of conciliation about him and Meheshiiah is unhappy to make a peace which does not involve total capitulation." Many people who have dealt with me will nod knowingly at this point, because I will not accept partial peace offerings, preferring to remain at war with people instead--a trait that often shows up in my writing.

I am giving this book five out of five stars.

The Shem Grimoire is limited to two hundred hard-cover copies, and is available from Lulu. 

[Disclosure: This review is based on a pre-proof stage file copy given to me by the author for review purposes.]

What My Hierophant Should Have Taught Me (Nick Farrell)

One of my favorite sayings is "If you want to understand the behavior of Secret Chiefs and their human representatives, think of the Secret Chiefs as being cats." Many people think that I am merely making a joke--I am not. It is a statement that I make in all seriousness. I don't think that a lot of people get my point. But if anyone gets my point (and the real useful advice that goes along with my statement), I suspect that Nick Farrell is one of them.

Recently Nick Farrell wrote a limited edition book called "What My Hierophant Should Have Taught Me." It consists of a series of aphorisms applicable to the occult path, along with a commentary for each one. Some of the aphorisms are:

*Magic is not a religion
*You crave power
*Understanding symbols is a key to understanding the universe

and my personal favorite:

*When things go wrong, do not panic

(which I tend to lump in with my own personal aphorism--When working with Sister Amy, have a fire extinguisher ready...honestly, do not let her near any open flames.)

This book is filled with useful advice, some of which I wish I would have learned sooner than I actually did. For the most part, I agree with the advice given in this book. There are a couple of things that I am going to have to experiment with (or pay more attention to) before I make a judgment on--mainly technical advice on working magic.

I imagine that a lot of people are going to judge this book harshly. Some of the advice is about the warning signs that a group (or a group leader) is not on the up and up. It has been my experience that such dubious people turn nasty when they believe that someone is talking about them in a negative light; after all, someone might actually listen and not pay them the dues or accolades that they so richly deserve.

Farrell also mentions advice about how groups react when someone leaves a group (either willingly or not)--this advice falls under the category of "Gee, I wish someone would have warned me about that sooner."

Overall, this is a very useful book--one that I wish I had much earlier in my occult and esoteric career. I give it five out of five stars.

What My Hierophant Should Have Taught Me (limited to just a hundred copies) is still available on Lulu.

[Disclosure: This review is based on an electronic file version provided by the author for review purposes.]

Paganism 101--An Introduction to Paganism by 101 Pagans

When I first heard of this book, I muttered, "Do we really need another Paganism 101 book?"


After reading it, I have to say, "Hell, yes, we needed another one."


The concept behind the book is to have a 101 different pagans get together and write about paganism. Think of it as a big circle where various voices of the paganism came together to give a newcomer a broad overview of how varied the community really is. You may not agree with all the voices, but you have to remember that they are out there in the community.


The book is divided into three sections with multiple topics in each one. Twenty topics all together. Each topic has five writers committing on it. Plus there is an introduction...which is how the 101st pagan comes into the picture.


The first section is Who we are--Druid, Heathen, Witch, Wiccan, Shaman, Christo-Pagan, Goddess Follower, Eclectic Witch.


The second section is What we believe--Deities, Nature, Ethics, Afterlife, Ancestors, Past & Present.


The third section is What we do--Ritual, Magic, Prayer & Meditation, Healing, Herbalism, Celebrant Work.


No, I do not agree with everything said, but I do find it marvelous that we have such diverse set of voices in the community.


I highly recommend this book to both newcomers and to those who have been around the pagan block countless times. This is a wonderful book that I am going to end up re-reading several times, if only to remind myself how interesting our community actually is.


Five stars out of five.


[Disclosure: I received a pre-publication electronic copy of this book for review purposes.]

Pagan Portals--Runes by Kylie Holmes

There is an old saying that there is only one book about the Tarot and that each writer only publishes a few pages from it. I feel the same way about books written about the Elder Futhark--the so-called Norse runes. (Actually, the runes used by the Vikings were the abbreviated sixteen rune--Younger Futhark.) And just like one encounters the same information over and over again in Tarot books (or for that matter, books about the Golden Dawn), one reads the same material over and over again in books about the runes. Therefore, when one reviews a book on one of these subjects, one tends to only focus on the few pages of unique material that the writer includes (because the base-line is almost always the same--as in if you have read one book on the subject, you have read them all).

Pagan Portals--Runes by Kylie Holmes is your typical book on runes--containing historical information on the runes, runic divinatory spreads, how to make your own rune set, basic meanings of the runes, and suggestions of how to use the runes in magic.

So ignoring the standard stuff that finds its way into every book on the runes, what sticks out?

The book is written in a conversational tone, which is common with all the books that I have read so far from this particular publisher--Moon Books. I will admit that I spent too much time in academia to be completely comfortable with the style when it comes to regular books, despite the fact that I spend a lot of my time in the blogosphere (both as a reader and a lunatic with a soapbox). Think of the style as a conversation or a letter to a friend--some people will like the tone; others won't.

In the historical section, the author includes a diagram that shows the graphic difference between the Long Branch (Danish) and Short Twig (Swedish-Norwegian) Younger Futhark runes. That is a plus. And she mentions a few historical figures who studied and kept the lore of the runes alive--figures in rune history that I was not aware of. That is also a plus.

But she also mentions the myth of Odin as if it is historical and not mythical--which touches upon a bugbear that I wish authors would not do, and that is the mixing of mythology with historical fact. And in the section where she talks about the basic meanings of the runes, she mentions on more than one occasion what the Norse ("our ancestors") believed about the runes...without ever stating her source. I suspect that her source is intuition and not a document (because I have never heard of a document covering this information--the field of runelogy is made up of best guesses)--if it is an actual document, I wish that she would have came out and cited it by name and number. The fact that I think that she is playing fast and mixing her opinions with the historical facts is a negative. (Remember that I suffered though a Bachelors in both literature and history--it tends to make me frown at the mixing of personal belief and historical facts without the writer coming straight out and stating which is which.)

Holmes also includes the Anglo-Saxon, Norwegian and Icelandic rune poems (both in their original language and their English translation) in the historical section (this is important and/or nice if you are just want to read a single book on the runes, and not have to collect rune books like I do). And I will admit that she is the first writer on the subject of runes that I can remember coming out and stating that we do not have a poem for the Elder Futhark itself (the aforementioned poems deal with the Anglo-Saxon and Younger Futharks.

Overall, if you are after one book on the subject of the runes, this book is a four out of five stars. If you are like me and own two boxes of books on the subject, it will depend upon on how important the unique bits are in filling holes in your knowledge base.

[This review was based on a pre-publication e-file copy given to me by the publisher for review purposes.]

Goetia Workbook by S. Connolly (book review)

One of the customs that most working magicians have been taught is the keeping of a magical journal, a record of one's magical experiments and experience. The custom goes back to Dee and Kelley--or at least, that is the point in history that the custom seems to originate from.

 

Most of us, including myself, just buy a blank composition book or a blank journal and proceed from there. A few suggestions on what to record have been published over the years. In my case, I was using a template that Donald Michael Kraig published in his Modern Magick book for a long time. (My template has moved away from his example, and now looks more like Dee's and Crowley's style than it does Kraig's example.)

 

Parts of the magical journals of Dee and Crowley have been published. In the case of Dee, there are large sections that are missing because Dee destroyed a lot of his journals to keep them out of the wrong hands (fortunately, some of the sections that he attempted to destroy survived, including a large hunk of the Enochian sessions). I have watched a couple of other working magicians destroy parts of their own magical journals; and over the years, some of my own records have been lost in various moves from residence to residence (it is what happens you do not move everything personally all by yourself).

 

Given the examples available to us and the cheap option of blank journal books, I never thought that I would ever give a shout-out to any blank magical journal--even a pre-formatted one, considering that the only viable publishing option is the print-on-demand route. (While a traditional publisher could print a pre-formatted blank magical journal cheaper, the truth is that a large part of the print-run would just sit in a warehouse, due to the extremely low demand for such an item...seriously, are there more than a thousand working magicians in the world at any given time?)

 

The Goetia Workbook by S. Connolly is a pre-formatted blank magical journal for those magicians working their way though the contact process with the Four Kings and the seventy-two Goetic Demons (or Daemons as Connolly prefers to call them--yes, they are a demonolator [daemonolator], one of those magicians who view the traditional spirits contained in the grimoires more as helper spirits than evil gone amok).

 

The pre-format is nice, simply for making sure that you remember to include all the important bits in your notes. And I like the fact that it has pages for each of the Four Kings and the seventy-two Goetic spirits (yes, I prefer the term "spirits"...which makes me a ?!?!). There is a space provided for any additional sigils that the spirit gives the magician, and a space to note if blood was offered (I personally use milk mixed with certain herbs as a substitute), et cetera. There is also a brief description of the powers and precautions for each spirit--my favorite being "Sitri is a lust demon and causes men and women to be passionate and get naked around one another."

 

But let's be honest the pre-formatting alone is not enough to justify a shout-out, so why am I suggesting that a working magician might want to consider shelling out money for something that they could do cheaper? The simple fact that you can get it as a paperback from Amazon and a hardcover from Lulu--the latter being what I would prefer. And why would that be important?

 

Quite simply because it has been my experience that the most important and significant encounter that one has with any given spirit is the initial contact. The basis of your entire relationship with a spirit can often be determined (typically with a lot of hindsight) from that first initial working. Therefore, with something like a run though the seventy-two Goetic spirits, one wants to make sure that the record of your working is going to be as permanent as you can get it.  

 

Yes, this shout-out is based simply upon the fact that I think that a working magician needs to ensure that their notes with certain operations, such as the initial contact with the Goetia, is set in as permanent form as one can accomplish. Did you really expect more from me? After all, I am a blogger who uses other people's work as an excuse to talk about things that I consider important (if you did not catch what this review is really about, re-read it again looking for the sole sentence that the entry is built around).

 

[This review is based on a preview file that the author lent to me.]

A Modern Celt--Seeking the Ancestors (Mabh Savage)

A caution must be issued right up front about this book: this is not a book of lore or ritual/personal techniques. If that is what you are after, this book will not fit your needs. A Modern Celt--Seeking the Ancestors (Mabh Savage) is a "fire-side chat" book; it is a rather informal collection of the author's experiences, tales from her family, and accounts from her friends about experiences gained by coming into contact with the lore and deities of the Ancient Celtic people.

For those people who have experienced the fire-side chat mode, that time after a ritual or lesson when you are sitting around a bonfire (or in the case of lodge members--during the after-ritual dinner) talking to your teacher and fellow students and seekers, the style of this book will be familiar. It is a rather informal book, one that my professors in college and university would have imploded upon reading. It is a step above gossip, generally on the level of the stories that one tells when one's coven (study group or lodge) has became a familial unit of sorts.

This style may be strange to those who have been practicing and studying by themselves, or who have gotten involved in the "strict lodge" setting where students are forced to hang out only with others of their particular grade and degree of knowledge. Hint: the fire-side chat mode is the start of the oral traditions that one hears about.

This book is not heavy on knowledge or techniques. It is a retelling of personal stories. And it will be a comfort for those who have experienced similar events, and educational for those with open minds who have not. I think that the book is worthwhile reading, despite the lack of spoon-fed lore and techniques; but I imagine that there will be readers who take issue with the book because of the lack of information and detail in it (one cannot say that I did not try to warn them off).

Is the information that is given accurate? This is a hard question to answer, at least for me; I am not an expert in Celtic paganism. But I do have a benchmark to attempt to hazard a guess, and that is how the author treats the Celtic Tree Calendar. For those who do not know, the Celtic Tree Calendar was created almost completely out of thin air by Robert Graves during the "paganism has survived underground, and my wild theories is what the ancient pagans actually thought" mode of the pagan revival (the Golden Dawn of the 1880s and the Wiccan books of Gerald Gardner are other examples of that particular stage of the pagan revival). Basically, there is no evidence to indicate that the Ancient Celts used such a fixed calendar, not alone the one that Robert Graves expounded upon.

There are three modes of dealing with the Celtic Calendar: 1) insisting on the truth of it...mainly because one loves the idea that paganism survived underground clear up to the start of the pagan revival; 2) completely abandoning it...because only actual Celtic practices should be used; and 3) splitting the difference...acknowledging the fact that Graves made the Celtic Tree Calendar up, yet using the result because it serves a purpose.

Mabh Savage belongs to the splitting the difference camp. She acknowledges the fictional nature of the Celtic Tree Calendar, and then proceeds to gather some actual tree and plant lore from the Ancient Celts to illustrate that Graves was not pulling it completely out of thin air and that there might be a grain of usefulness in the Celtic Tree Calendar. As someone who belongs to a group that does much the same with the Celtic Tree Calendar, I like that approach (the group that I belong to uses the Celtic Tree Calendar because it needed a Celtic knowledge system that could be represented in diagram form...it is a lodge thing).

Overall, given the fact that book is meant to be, essentially a set of fire-side style stories about how modern Celts are interacting with the deities and practices of the Ancient Celts, I give it five out of five stars. (It would suffer a loss of at least one star if one decided to judge it based on lore or techniques--something that the book is not really about.)

[Disclosure: This review is based on a pre-publication version provided by the publisher.]